Corpus christi gay bar the velvet lounge Defining their "converted" as the "identifiable critical mass of queers who together compose a congregation of people converted into believing in the necessity of queer identities and communities, culture and politics," they assert that individuals within that group must remain "open to a series of conversions" , Queer theatre, they argue, functions much as church services do, enabling participants to sustain their conversions by renewing their sense of identity and motivating them to act out of that identity This essay assesses the "conversion" potential of both Corpus Christi and Most Fabulous for straight Christian evangelicals, a group with growing cultural influence and political power. While critics have largely ignored this aspect of the two plays, Raymond-Jean Frontain asserts in his new concluding chapter to the second edition of Reclaiming the Sacred: The Bible in Gay and Lesbian Culture that Terrence McNally uses his play to "evangelize his audience, sending them out to preach a new gospel of tolerance; the gospel that all men are divine" Frontain's chapter, entitled "'All Men Are Divine': Religious Mystery and Homosexual Identity in Corpus Christi ," does not, however, explore the complex theological issues that inevitably limit Mc-Nally's influence on evangelical Christians.
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